Hollywood, despite its recent struggles, still exerts a sweeping, nefarious influence over public perception and morality.

This has never been accidental. It’s the cultural arm of a layered evil—what many now recognize as Cultural Marxism.

Behind the glitz and the glamour of what amounts to a fake and embarrassing world lies a deliberate operation, one that started long before you and I were born: a most pernicious campaign to subvert traditional values and reshape society itself. The disturbing trends we see today are not organic; they were architected—by people who knew exactly what they were doing.

My recent work gives additional context, if you’d like to put in the time:

The Frankfurt School, formed in the 1920s and wholly unwelcome in 1930s Germany, laid much of the intellectual groundwork. Its dark vision of mass culture manipulation has played a pivotal role in the societal decay we’ve watched play out for 100 years–at least in the parts the controlled textbook companies showed us. And if we want to understand why today’s culture is fractured, morally bankrupt, and seemingly collapsing, we must acknowledge the truth: the puppet masters behind the curtain have names. They are not just theorists—and they are not just random.

We can trace this trajectory through numerous strands of commentary, each uncovering pieces of this grand syndicate—its members, their methods, and their ultimate goal. I suggest a Yandex search instead of Google. In the past week, through several key articles, we’ve explored how modern entertainment functions as a tool of ideological warfare. The papal encyclicals and yes, even the Trump-Pope AI fake in a not-so indirect way, have been part of an ongoing examination of the entertainment world’s moral decay.  They and so many other stories–more overtly political in nature, or so it seems–are converging around one central point: the enemy we are up against, the one that we call the deep state inside our own government, runs much deeper than the Democrats.

It is a consolidated, focused strategy inside which the media-entertainment complex is one crucial part.

But foreign wars and money laundering and the loss of the moral high ground of the Catholic Church are absolutely layers of the attack too. To separate it all will only confuse when it comes time for the conversations.

Which have long been happening at this point:

[The Frankfurt] called for the most negative destructive criticism possible of every sphere of life to de-stabilize society and destroy what they saw as the ‘oppressive’ order.

Everything connects. Everything is about civilizational collapse, the finishing of what the French and Bolshevik Revolutions “started” (or continued)–the complete demolition of right-ordered Christianity. The people behind it all are organized, networked, strategically subversive, and incredibly–and frightfully–cunning.

Not to mention supernaturally patient. They think their reward is coming in the afterlife too, just as Christians do.

Except their god is Lucifer.

It is exactly how they were at the end of Old Testament times–the reason Christ came in that historical juncture in the first place. It is exactly how they were during his 33 years of life. It is exactly how they are now.

Just as Christ said they always would be.

This is why it should be our sincere hope–well beyond the fact that he is simply the “not-Obama” or the “not-Biden,” or even beyond the very real possibility that he is the greatest President in our nation’s history–that Donald Trump is fighting against these forces on our behalf.

If he is indeed doing that, he is, through his “sh*t-starting” narrative deployments (for us to have a conversation, even at his expense sometimes) collapsing the illusion of separation between the “political” and the “spiritual.” This isn’t just culture or politics — it’s civilization.

And either its continued destruction or a unified exorcism of it is happening as we speak. That is the war–that is the import of the narrative war.

The Frankfurt School’s “critical theory” was not just an academic exercise—it was a deliberate project to disrupt Western civilization, specifically its moral, religious, and cultural underpinnings. What they saw as oppressive social structures, particularly in the realms of religion, family, and traditional values, had to be dismantled. And to do that, they needed to control the narratives that people consumed on a daily basis.

How much does said narrative warfare inform my work?

I believe Scott discussed this war–this psywar–with one Dr Robert Malone yesterday.

“Government propaganda” is what we are talking about today. How do you think they infiltrate so quietly? How do you think they brainwash the masses as they do?

It is a question my high school students came to understand well in our nine-month examinations, part of which was studying and discussing this video:

There are things in that video that are “off” as well, but you can’t blame the creator–he was raised in the same indoctrination and deception we all were. Generally speaking, especially if you are doing the work elsewhere, this video can fill a lot of gaps.

The School’s analysis of culture was rooted in a belief that modern capitalism had turned people into passive consumers, thus making them susceptible to ideological manipulation. Through this lens, the media became more than just a source of entertainment—it became the primary tool for reshaping public consciousness. Today, we’re witnessing the fruits of this labor: a relentless attack on morality, religion, and even sanity, all packaged as entertainment, marketed under the guise of progress.

In this regard, another film worth watching is Out of Shadows. But know that this goes well beyond the CIA.

The work of the Frankfurt School isn’t just an abstract theory anymore; it has become embedded in the structures of modern society. Hollywood, with its vast influence on global culture, has become a key battlefield in this war. The industry’s close ties to organized networks have long been noted, not as a blanket statement about an entire people, but rather as a recognition of the specific syndicate of financiers, producers, and media moguls who have shaped its direction.

The disproportionate influence of these figures in Hollywood is not incidental—it’s strategic. They are the architects of a cultural apparatus that speaks directly to the passions and fallen humanity inside individuals and mass audiences. Hollywood’s glamorization of vice, its normalization of perversity, and its portrayal of broken families are the ideological products of an insidious network that thrives on moral decay.

Why would anyone want to do this, you ask? I answer that with a question myself–

Why would anyone want to kill the meek and humble Lamb of God?

In Part II tomorrow, we’ll go deeper into the mechanics of plausible deniability, the enforcement arms of modern ideology, and the spiritual deception still gripping every major institution. We’ve laid the groundwork here—but next, the stakes rise.

May everyone named directly or referenced indirectly ask forgiveness and do penance for their sins against America and God. I fight this information war in the spirit of justice and love for the innocent, but I have been reminded of the need for mercy and prayers for our enemies. I am a sinner in need of redemption as well after all, for my sins are many. In the words of Jesus Christ himself, Lord forgive us all, for we know not what we do.